This is No Country for Old Men The loaded gun cough of a bittern disturbs air and dolphin waves as the boats cross the Bosphorus between two lands that surround the city we call Byzantium - for it is a rare visiting bird here. The boats know their utter safety for the Eastern Empire is bound to last for a thousand years yet - long enough to create its own mists of time amongst legends beyond the love of Anthony for Cleopatra. Yet this is no country for old men to linger for simple bodily pleasures but should hobble their way from desert fringe to mountain slope fetility and fail the journey on a road paved with soft centuries of silk. From slender minarets to cathedral majesty they go and name their chances as variations of marked destiny and fate. And while they travel along the trail, encounter the travail, the confliuct and magic of the Christian nail. The piety of unbelief is their longing and fear of that they reject - a diaspora turned in upon itself that has become too sophicticated for such superstition - instead invested in reason and what can be seen only with the eye. And as they prevail to exist twixt foot, boat, camel and ass, they live to see convicted and baptized crusaders, in genocidal zeal, righteously absolved because their sword arm was kept above the cleansing power of living water. Like their own extended journey, all this and Byzantium itself will not last, will pass, the grail of guests become alternately holy and unholy quests and turn in their measured season from germinated seed again to dust. --James Bell (Copywrite 2001) |
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